Honey is an Italian-Spanish co-production released in 1981. Assigning it to a genre is tricky to say the least. The original title Miele di donna translates literally as A Woman’s Honey. It’s a very strange movie, and a very good and very interesting one.
It begins with a woman (played by Catherine Spaak) forcing her way into the office of a book editor (played by Fernando Rey). She produces a manuscript and a gun. She insists that he read the manuscript aloud. We assume she is a writer and that she has written this manuscript.
The story in the manuscript then unfolds on screen.
A young woman named Anny (Clio Goldsmith) is in a cab looking for the Pensione Desiderio (the Desire Guest House). The cab driver has never heard of the place but surprisingly it is easy to find.
Right from the start the Pensione Desiderio has a strange mysterious atmosphere. Anny is welcomed by the landlady (Donatella Damiani), an extraordinarily voluptuous woman. The landlady is annoyed by find the maid Inés (Adriana Russo) once again spying on one of the guests. She scolds the maid and then invites Anny to join her in spying on that guest. He is an amazingly musclebound individual who apparently spends almost all his time in an odd inexplicable physical training routine.
Things are already becoming a little strange. The landlady suggests that Anny might like a bath. After her bath the naked Anny has an encounter with the landlady. It’s not exactly a sexual encounter but what it is is not at all clear.
There’s some confusion about Anny’s room. It is not yet ready for her. The geography of the Pensione Desiderio is also ambiguous. It seems much bigger than it should be and finding the kitchen or the bathroom is a challenge. It’s as if Anny has entered a maze. The Guest House of Desire is a maze, as is the movie itself.
There appear to be both men and women guests. There’s a middle-aged man who seems delighted that the Pensione has another guest. There’s also Ridolfi, who seems to be a gentleman although perhaps of the playboy type. He is a dance teacher.
Anny wanders naked into one of the rooms and has to hide under the bed when Inés and the middle-aged man walk in. Inés and the man have sex on the bed, with Anny hidden under the bed but watching them in a mirror.
There’s a lot of voyeurism in this movie but it’s all female voyeurism. It’s women who do the watching.
Then the girls arrive, for their dance lesson. Anny witnesses the dancing class, and it’s a perfectly ordinary dancing class. This is actually more disturbing, since by now we are expecting weird things to keep happening.
There’s a slight sense of temporal and geographical ambiguity. We feel that we’re not in the 80s any more but these events may have occurred a few years earlier, or many years earlier. At times the music and certain other elements add a slight Middle Eastern flavour. Are we really in western Europe? There’s a subtle sense of exoticism.
There is definitely a slight surreal vibe, and a dream-like quality to the events as they unfold. So what is going on? Is this simply a novel written by the lady writer (the one played by Catherine Spaak)? It could be that, or it could be a dream or a fantasy. We can’t even be sure that the lady writer was the actual author of the manuscript. There’s also a subtle suggestion that perhaps we’re seeing events through the eyes of someone who did not understand those events. We also get a sense that Anny, although she appears to be in her early 20s, is a bit child-like and there’s a definite sense that she does not understand her own erotic longings.
And then Anny finally reaches the room assigned to her and things get a lot more dream-like.
Clio Goldsmith gives a remarkable performance. She has the right wide-eyed innocence. She makes Anny seem a little naïve but without pushing it too far.
This is a movie in which we could be dealing with more than one unreliable narrator – the lady writer and Anny might both fall into this category. Much depends of course on whether that manuscript is fiction or non-fiction.
Ending a movie like this is always tricky. It’s a movie that relies on being mysterious and keeping us disoriented. An ending that explains too much can destroy the sense of mystery. Whether you’re happy with the ending depends to some extent on what kind of movie you were hoping for. I was fine with the ending.
This is a movie with a strong streak of eroticism but it’s not a straightforward erotic movie. It’s definitely arty and somewhat cerebral and somewhat surreal and don’t expect a conventional linear narrative. I think all these elements work. It’s also a genuinely interesting exploration of female voyeurism. I loved this movie. Very highly recommended.
The Raro Video Blu-Ray offers an excellent transfer but there are no extras. That’s a pity. I’d like to know a bit more about the film’s director and co-writer, Gianfranco Angelucci, and about the other writers (Liliane Betti and Enrique U. Herrera). I’d definitely like to know more about Clio Goldsmith.