Last October, the ‘80s comedy detective series, Moonlighting, began streaming for the first time ever. The ABC show was a huge must-see TV hit in the mid ‘80s, but because of its absence, it has been largely forgotten until this event. Now viewers can see Bruce Willis – now non-verbal, and retired due to dementia – at his most verbal as the wise-cracking gumshoe David Addison, trading quips with the softly-lit Cybill Shepherd as former model Maddie Hayes in all their 67-episode run on Hulu, and all of our pop culture worlds are better for it.
At least mine is, as I was a kid when it aired in the ‘80s, and it brought back a lot of memories, and one I was delighted to be reminded of was that Orson Welles made his last appearance on the program. The film-making legend, and personal favorite, passed away a week after shooting his introduction for the season 2 episode, “The Dream Sequence Always Rings Twice,” (aired: Oct. 15, 1985) capping off his incredible career in a much better, way more classy way than his last film appearance, the voice of Unicron in the animated 1986 flop, TRANSFORMERS: THE MOVIE (I kid you not).
According to Moonlighting writer, Debra Frank, Welles shot his bit, an intro in which he warned viewers that much of the night’s episode would be in black and white, on October 4, 1985, remembering that because it was her mother’s birthday.
After Welles passed on October 10th, they added this to precede his intro:
From the same 2005 Moonlighting DVD bonus featurette that revealed that, “Inside the Blue Moon Detective Agency, the Story of Moonlighting, Part 2,” Moonlighting creator Glenn Gordon Caron told the story of how they got Welles for the gig:
“They (the network) felt that, like THE WIZARD OF OZ, which was a movie that was shown in this country every year, and every year they went to great lengths to explain to people that the first part is in black and white, the second part is in color – there’s nothing wrong with your television set, ABC thought it was important to offer that kind of assurance to the audience.
So we thought, well, who should do this? I don’t know, again, it just cracked me up, Orson Welles. You know, here’s the man who probably made the most beautiful black and white film, you know, ever. So I wrote this thing, which he ultimately said, you know, about which he ultimately said, ‘a very special monochromatic, blah blah blah blah, Moonlighting, so get Grandma and the kids and lock them in the basement…” A pretty funny thing, so I called him up, and said, ‘Would you be interested in doing this thing, and to my amazement he said, ‘Well, send it over,’ so I sent it over, and he called back and said, ‘I think it’s funny.’”
Caron misquoted his own writing so here is Welles’ opening intro to “The Dream Sequence Always Rings Twice” (and you can watch a YouTube clip of it below):
“Good evening, I’m Orson Welles. Tonight, broadcasting takes a giant leap backward. In this age of living color, and stereophonic sound, the television show, Moonlighting, is daring to be different, and share with you a monochromatic, monophonic hour of entertainment. Approximately 12 minutes into this evening’s episode, the picture on your television screen will change to black and white. Nothing is wrong with your set, I repeat, *nothing is wrong with your set*, tonight’s episode is an experiment, one we hope you’ll enjoy, so, gather the kids, the dog, grandma, and lock them in another room, and then sit back and enjoy this very special episode of Moonlighting.”
It’s quite something to think that this was the grand man’s last appearance before he shuffled off of this mortal coil. It’s not surprising after years of hard living, which his girth, and trademark cigar smoking (though it does look cool) in this short video does give ample evidence, that he died at age 70, but it’s a fitting testament that, a week before he died, he could put in such a witty, wise, and even warm cameo in what was then one of the hottest programs on, and go out on such a hip, and humorous final note.
It’s also funny that there’s the Cybill Shepherd connection in that Welles used to stay in the guest room of her house with Peter Bogdanovich in the ‘70s, but that’s a whole ‘nuther blogpost.
More later…